Tag Archives: acoustic


10 Jun

Those words you wrote for me then, well I can remember them all,

They sit, doused in white wine, and on wild nights stagger and fall,

I try to be a good man,

But I know that I may never be,

And still, I dream,

Yes still, I dream.


So we break our bones,

But as long as there’s love we can hope,

We’ll make crutches for our hearts,

And they’ll help us to cope.


I gained these calluses back in the winter when I became lost,

They numbed the wind-chill, the side of the bed that was smothered in frost.

I have put them to good use,

They’ve saved me from bite marks and scars,

But they’re put aside for now,

They’re put aside for now.


So we take small steps,

There’s still time to waste and to give,

And forget what we’ve lost,

Just remember to live.

Rob The Music Snob: Sol Seppy

10 Jan

When I was in my late teens, I suffered badly from insomnia. Where possible, I tried to use this time effectively – by writing, reading, or finding new music. MTV2 was a goldmine. Late at night it would play tracks from a variety of unheard, independent-label artists. One of these was Sol Seppy, and I was immediately in love.


Sol Seppy is Sophie Michalitsianos, a classically-trained pianist and cellist better known for her work with the sadly-missed Mark Linkous in Sparklehorse. There are a lot of similarities between the two – the ethereal element, a large but intimate sound, breathtaking lyrics and a deep sense of emotional empathy. The first album, The Bells Of 1 2, is one of my favourites of all time, and I don’t see that changing any time soon.

The Bells Of 1 2 is wonderful. Cohesive yet at the same time full of variety, it manages to bring out incredible levels of depth from a very minimal setup. The opener 1 2 relies almost entirely on piano, as does Enter One, Sol Seppy’s most recognisable track. It’s recognised for a reason. It’s absolutely beautiful.

But there’s more than that on show. Slo Fuzz was the first song I heard, pushed forward through – as the name suggests – fuzzy bass lines with floating synth work and excellent quiet/loud dynamics. Move features noisy, shoegaze-esque distortion and a discordant feel. Come Running is upbeat with a brilliantly catchy chorus.

It’s one of those albums that seems to never stray far from my grasp, never accumulating dust. Michalitsianos gave us a new EP last year, continuing the level of quality, and a promise of an album in 2014. I have high hopes, even after the seven year wait. Bring it on.